los libros o textos enunciados existen en el acto de concebirlos, en el momento que precede a la creación.Poco importa que ese momento no llegue nunca, pertenecen ahora a la bibloteca de mi memoria. DAMASCENO MONTEIRO
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sábado, 27 de marzo de 2010
viernes, 26 de marzo de 2010
CRONICA DE UN TRISTISIDIO POR LAVALLE
y no iba a moverme para el Congreso, asi que la Cronica de ayer jueves esta completa de melancolia, un tristesidio, a lo largo de ese cachito del Lavalle de los cines que quedan.
ahora estan, por propio relevamiento agrupados en tres nucleos, los cines del Atlas que son 7, los cines del Monumental son 11, y otro que no veo en el listin del diario La Nacion, junto a lo que era el Trocadero y en el lugar del Renacimiento hay tambien una pila de salas. Los listines tambien creo que eran mas completos, tal vez los omitidos no sean cines ahora, cosas vere Sancho, cosas.
el complejo Tita Merelo (ex Suipacha) a pasitos de lavalle tiene 6.
Deben cuidarme la calle de los cines, pues tal vez ahora no hay mucho para ver, pero me sigue sirviendo esa calle para entrar en un mundo infinito y marailloso, que nos hace olvidar un poco el mundo tambien maravilloso de los desencuentros que yo no puedeo manejar.
y como en el final de Casablanca, cuando la muchachita que partiendo a Lisboa con su marido, le dice a su enamorado, pero y nosotros Ricky? y el le dice como yo:.......no te preocupes, nosotros siempre tendremos Lavalle. FUNDIDO FINAL
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Publicado por damasceno para bitacora de un fingidor el 3/26/2010 04:10:00 AM
SABATO
miércoles, 24 de marzo de 2010
Fwd: bitacora de un fingidor: ERNESTO SABATO
martes, 23 de marzo de 2010
Graham Greene
Enviado por LUIS a través de Google Reader:

At the request of Caroline's friend Peter, I am posting a photograph of Graham Greene.
This picture was taken around 1979 in Antibes, France on the terrace of his small apartment. I was commissioned by The Daily Telegraph Magazine, arranged through Greene's friend Auberon Waugh, son of Evelyn.
As I got out of the elevator I saw this very tall man standing in the doorway of his apartment, his right arm bent upwards as though he was supporting the top of the door frame. His greeting was, "Just been burgled." I looked more closely and saw the signs of forced entry, the jemmy marks and the split wood. This was shortly after the publication of J'accuse and the Nice mafia were after him.
He kept his wine under the kitchen table in the box it was delivered in and we had a glass. We talked a little about Auberon Waugh and how very funny he was and then about Laurence Durrell who 's writing he found overblown.
The magazine wanted Greene to be with books in the photograph, not only in the background but also with one in his hand, or on his lap. Encouraged by me he refused, calling the idea banal. Editors often ask for obvious props and touches.
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Paul Auster, Prospect Park, Brooklyn, NY
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This was the first photograph I took in Brooklyn. It was 1986 and taken for The Times in London. Little did I know that nearly twenty-five years later I would spend so much time in Brooklyn photographing. Twenty years went by before I set foot in the place again and then only for a day. It is also the only photograph I have taken of a well-known person in Brooklyn.Paul Auster lived in one of those brownstone streets in Park Slope that lead up to Prospect Park, where the houses have steep steps up to mahogany doors ten feet high and thick enough to stop a bullet. He worked in a tiny apartment in a block right on the park - too dull and too small for photographs, but I knew we just had time to do something in the park before it got dark.
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Dirk Bogarde
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